I am so horribly envious of you.

I am so horribly sorry it had to end, and I'm so touched and honestly I feel a bit changed. Your words are so eloquent...I feel like anything I write now will just sound stupid. This is what writing is really about--so just thank you.

(and any stupid fucker stealing this from you, they're just talentless pricks who are too lazy to write things by themselves and they want to get praise that you should be getting. I'll help you murder them

powerful language, like i've come to expect within each of these letters.

"I could make the Pope feel bad about believing in God. I don't think it was quite a compliment, but anger and offense are obsolete things when you're hardly coherent enough to get dressed."
each and every word in those sentences was perfect.

you've taken a cliche and turned it into something new, so for that i have to thank you.

the description in the first paragraph was so beautiful; much more detailed than any photograph.
and the second paragraph had less descriptive language, but it had just as much meaning. for some reason, "there is no plan B" had a lot of power over me. maybe something about the utter hopelessness of the situation.

"The scary thing is, I keep waking up and it's tomorrow, and this will keep happening, and one day I won't wake up."
that line captured my attention.

that single line has captured the biggest reason i fear the future. i am amazed.

i'm favoriting this collection for this piece.

there is so much emotion trapped within those words; i can't stop reading them over and over again. i love the fixation with pain, and raising someone's tolerance for pain. it's interesting.

and the last sentence gives the whole piece a new meaning - a sad meaning. but at least it ends with a twist, the best kind of ending.

this is a very powerful piece, like every one before it.

the last two lines are amazing.
i think the fact that you added "and i remember this vividly" makes the whole piece. it highlights the importance of the last line.

again, the diction in this piece is what makes it. (in my opinion.)

there are a lot of writers who stick to small words for the sake of simplicity, but i really like how you step it up and choose less often used words.

the line: "You tell me to come visit, just not right now" hit home for me. there's something very powerful about it, and it raises a lot of questions.

it might have something to do with how sleepy i am, or it might be the words, but i couldn't grasp a definite meaning to this piece. it has so many possible meanings that i just can't pick out one.
but i love the ambiguity, the fact that this could be metaphorical or literal. i also love the diction.

this piece brings up a lot of questions that i'm afraid to try and answer, because i think it would take more time than i have.

I like the last line. Wait, no, the last paragraph. The last paragraph.

"exotic dancing on the tables of your heart" is such a major visual image to me. That phrase has its own power in the way that it gets my mind going about what it could mean.


Great line.

I find this edited "sinatra who" really interesting. It also made me curious about whether or not it pertained to your much earlier post "frank sinatra". Not that I need an answer to the question I haven't actually asked.

I also read this newer version of "chewing batteries", and I couldn't remember if you'd mentioned a smirk & worried eyes in the first draft, but...man, a smirk & worried eyes are a unique, curious combination.

Good job; I was certain the editing wouldn't take away from your style, and it definitely didn't.

Beautiful! Oh, so beautiful.
Your writings are just inspiring in so many ways. :)

woah you really have a way with words

The piece called "cake" was, to me, both vague and interesting. It made me curious.

i think it's beautiful that you can curl up so much emotion in
so little words; there aren't many people like that.

this is truly yours.