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It was a simple outfit, just a pair of jean shorts and a t-shirt
proclaiming the words "Timothy Lake" on it. I dressed quickly,
efficiently, neatly folding my pajamas and placing them on my pillow. The
last thing I did was add a pair of white ankle socks and khaki sandals.
The doorbell rang.
I stood frozen in place, motionless, hoping Cody would open the door.
But then I realized he was probably out back, with Jay and Rodney,
readying to cook. Cody would be hovering over the grill, coaxing the coals
to glowing life. Jay would be preparing the meat: barbecue sauce on the
chicken, cheese on the burgers, and Cody's special seasoning on the ribs.
Rodney, who hated the textures of uncooked meat, would be dealing with the
vegetables. He would be stripping the corn, so only its yellow naked flesh
was seared; chopping squash into more manageable pieces; skewing potatoes
and zucchini with mini wooden spears.
My voice let out a tiny moan that was half distress, half
resignation. I found myself walking down the hall, through the dining
room, the living room, and standing before the front door. My hand reached
for the knob and twisted. The door flew open. Mutineers, I thought to my
limbs, as I felt a smile bend my lips upward.
"Natalie!" the first intruder was Chrissy, my sister-in-law. She was
a small woman, elfin, and to make up for it she was constantly shouting.
And interfering.
She grasped my hand in hers and shook it, hard. Then she turned to
her children: Sati and Miwa, who she had adopted from India and Japan,
respectively. Chrissy was infertile, or, more likely, her skulking husband
Dan was. They had to adopt.
Chrissy hustled Sati and Miwa inside, and directed them out the
backdoor. I heard her in the kitchen, fussing over things.
Looking out the screen door I saw Dan walking up the driveway. He
knew the drill: leave the inside work to the women.
I unconsciously took myself to the computer desk, and removed a piece
of paper from the printer tray. My right hand took a marker and wrote in
large impersonal letters "GO AROUND BACK." Then I taped it to the front
door. I slammed it with a resounding and very satisfying thump.
"Are you alright, Nat?" came from the kitchen.
I didn't answer directly, but I walked sedately into the kitchen.
Chrissy had decided it was her divine duty to finish my cake.
"It was just sitting there, all unfinished, so I just had to," she
explained as she slapped at my cake. "Ah, there, done."
"No," I said a little bit too quickly. Chrissy looked at my sharply,
suspiciously. "I made a special topping."
It was true; I had made a special topping for the cake everyone loved
so much. In fact, I had added something special to all my desserts.
I went into my fridge, and from the way back of the bottom shelf
withdrew a small foil covered bowl. I uncovered it, and Chrissy stuck her
face into it.
"Ooooh, what are they?" she reached to grab one, but I slapped her
hand away. She snatched it back, insulted.
"They're peanut butter balls. No snacking."
Chrissy laughed. "Alright, I know how you like to 'unveil' your
little baking creations."
I almost slapped her, but caught myself just in time, "Yeah, you've
got my number." I joined in her laughter, but the real humor was inside
me, as I thought just how easy it was to manipulate.
I went back to the fridge, and removed a large bowl of potato salad.
"Why don't you take this outside? And then send some of the kids inside
for the rest."
Chrissy took the bowl, "Sure." She went out the backdoor. I drew in
a deep breath of relief.
Some of the children came in, but I ignored them. All they wanted
was the food. I concentrated on the cake, sprinkling it with the tiny
hardened balls of peanut butter and cyanide.
*
The main course went off perfectly. Cody was a real expert with the
grill, cooking everything to perfection. The meats were savory and juicy,
the vegetables crisp and seared to perfection. My salads and side dishes
were praised in the best possible way: they were gobbled down until they
were only smears of mayonnaise on large plastic bowls, warm-smelling brown
sauces in pots, and sticky smudges of oil on all the picnic tables.
I cleaned the dishes, with the help of Chrissy, and Cody's brother's
wife, Tira. Chrissy and Tira chattered while they worked, sounding like
bright, stupid squirrels. I didn't join in.
And then it was time for dessert. I had hidden them on the porch
underneath a sheet. I sent Chrissy and Tira outside with beer for the men,
and then set about the task of retrieving the desserts.
I arranged them neatly on the kitchen table, as artistically as I
could. There were four Jell-O molds, cherry, lemon-lime, strawberry, and
berry blue, all laced with cyanide, and they sat in each corner. Between
them were six pies, two apple, two cherry, one blueberry, and one peach. I
had mixed the poison in with the fruit insides. In the middle of the table
were assorted cakes and cupcakes, their toppings and frostings chockfull of
the cyanide.
In the middle of the table was my peanut butter-chocolate cake. It
was the pinnacle of my achievements. It was the favorite of everyone.
I opened the backdoor, and yelled, as loud as I could, "Time for
dessert!"
I backed up against the cabinet, and waited. All the children came
first: Sati, Miwa, Rory, and Roe, and they were served by their parents
and older siblings. The older teenagers came strolling in last, but they
only hid their eagerness under a veil of haughty aloofness.
Soon, everyone was eating; everyone was praising my baking,
especially my peanut butter-chocolate cake. I answered with polite thank
yous, and then excused myself.
I slipped into the back hall and opened the attic door. I started up
the stairs, stopping five stairs up. I turned around and reached for the
top of the molding over the door. There, on the dusty little ledge, was a
thick iron skeleton key. I went back down a couple stairs, and then,
leaning over, locked the door behind me.
The attic had been renovated years ago into one large room, which my
daughter used when she was home. I rounded the wardrobe and the tall
dresser, and stood in the light infused stillness.
Clare was one of those people whose surroundings didn't much affect
their world, and her room showed it. It was the epitome of the word mess,
clothes and personal items scattered around the floor and dresser tops,
books and papers in clumpy piles in the corners and underneath the
television.
Someone screamed downstairs. I climbed on top of Clare's bed and
stood there, staring out her window. If I regretted anything, it was that
she couldn't be here. There was another scream, and a frantic banging on
the attic door.
I knew they would try to call someone, so earlier I had cut the phone
lines, and cell phones were useless in our country; there were no towers.
Outside it was green, and pink, and white. The little dirt road that
led to the driveway sent up small drifts of heat and dust. There was more
screaming, and crying now.
I turned on the radio.
I turned on a CD.
Muse.
"It's bugging me,
Grating me
And twisting me around
Yeah I'm endlessly caving
IN
And turning inside out."
More banging.
"'Cause I want it
NOW
I want it now
Give me your heart
And
Your
Soul
And I'm breaking
OUT
I'm breaking out
Last chance to lose control"
Quieting down.
"It's holding me,
Morphing me
And forcing me to strive
To be endlessly cold with
IN
And dreaming I'm alive."
I heard voices, and I didn't want them. I planted my hands over my ears and screamed, as loud as I can. The sound that reverberated through my flesh was a distorted inhuman screech. It was a wail of banshee proportion.
"I'll feel my heart implode
And
I'm
Breaking
OUT
Escaping
NOW
Feeling my faith erode."
All quiet downstairs. I stood at the top of the stairs and closed my
eyes. I went down them like that, blind and deaf, mute and senseless.
The bodies were everywhere.
Small bodies, large bodies, they covered the floor like a carpet. I
stepped over them, and looked at them. Their faces were distorted, a bent
contortion of life; in death, a masque of terror.
I smiled.