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I wrote this a while ago, another Creative Writing Club exercise. Two objects had to be used, those being a portrait and an eraser. And so, we have this.
Critique appreciated, of course, especially on the ending.
At
about five past eight in the evening, a snarl emerged from the man’s
mouth as he made another swipe across his nearly blank canvas. The
easel, in the corner of his diminutive, dank apartment, quaked,
nearly falling over, with the force of his strike. In his hand was
not the typical paintbrush, or even a pencil, but instead, a soft
white eraser. Pencil to paper, eraser to pencil; repeat as
needed—that was his way with two-dimensional art these days. And
sculpture was an art form to which he didn’t even lend a thought.
Once he formed something even resembling a shape, he would hate it,
and promptly crush it. This ‘art block’ had lasted him three
months now. The deadlines and commissions that had piled up in this
time were high enough to kill him by now, and he highly doubted that
he would be able to make this month’s rent on his shabby East
Village apartment.
With another growl, he
turned away and threw his eraser onto his dusty, creaking floor, only
to be greeted by the incessant twinkling of his cell phone.
Click. “Yeah?”
he asked, trying to clear the annoyance out of his voice.
“Man, where are
you?” A male voice, notably stressed, crackled from the phone’s
speaker.
“I’m going to
assume you mean in relation to your art gallery. In that respect,
I’m not at all near it, nor do I plan on being there later this
evening.”
“Do you always have
to be so formal? Max, you’re a great guy and all, but chill
out, man, seriously.” He paused before adding, mimicking his
friend’s reserved tone, “Anyway, your beloved ‘fakes’ are
clamoring to see you. If you’re not here soon, it’s possible
that a riot will erupt.” With that, Max heard the click of his
friend hanging up the phone.
Doing likewise, he
began muttering to himself. “Okay, Ray, of course I’ll be
there.” Sighing, he traded his nondescript green shirt and jeans
for a similarly unremarkable white collared shirt, black tie, and
black slacks. But, in a final act of rebellion, he slipped on a pair
of battered mahogany flip-flops.
He caught himself
looking in the mirror by his door as he slipped out into the biting
cold of the just-beginning New York City winter. Olive-tint skin,
unkempt short brown hair, plain blue eyes, and, of course, the
stereotypical five-o’-clock shadow of a careless but troubled
‘starving artist.’
Better than usual,
he thought, and fled to the subway station.
Twenty minutes later,
he stood in front of another frame, this one in a grand-sized,
undecorated art gallery, with that same trapped feeling. In this
frame, however, he could not see himself, only an artifact of his
past. A veritable time capsule in oil paints, one might say.
“Lucy,” he rasped,
and he turned to face the prosaic wall opposite the frame before
approaching the Ray to whom he had previously spoken.
“Ray, is it
absolutely necessary that I be here?” Max inquired, gesturing
towards the painting at which he had just been staring.
The other man—a
light-haired, pale-skinned wisp of a man—gave Max a sympathetic
smile. “Sorry,” he answered. “It’s just usually better that
the featured artist attend these things. You know what I mean?”
“Not true. Think
‘touring Mona Lisa.’ I don’t think da Vinci was ever on board
with those.”
Ray shrugged before
shaping his next sentence. “I know you probably don’t want to
hear this, but the people here really seem to enjoy that portrait of
Lucy.”
A look of distaste
flashed across Max’s face. “Don’t even say her name,”
he stated flatly.
“She’s worried
about you, you know. I saw her the other—”
“If she was worried,
she would have helped. Let her break up with me if she sees fit, but
I don’t see how ignoring the depressed man who is completely in
love with you assists him in any way.”
Ray’s eyes were
fixed on the tile floor of the gallery. “Sorry,” he repeated,
softly. “I guess I shouldn’t have brought it up.”
“Damn straight.”
Max’s voice was sharp, and with that said, he went around Ray,
attempting to shuffle inconspicuously out of the glass door and leave
behind the gallery’s white walls and glass façade for the
next few months.
But not before being
stopped by a group of apparent admirers of the great Max and his art.
“Max Garrison!”
One beaming woman exclaimed, her hands clasped together in delight.
“Oh, I’m so glad you finally came. Perhaps you remember
me? Jane Colton?”
A fake, he
thought. Oh, God, I don’t need one of these right now.
“Vaguely,” he
answered, forcing a smile and extending a hand. “You’ll have to
excuse me; my memory hasn’t been the best as of late.”
She nodded. “It’s
not a problem,” Jane responded, shaking hands, before letting go to
point at the portrait of Lucy. “That portrait, might I say, is
magnificent! Tell me, will you be selling any of the art here?”
Glancing at the group
from which Jane had separated, he noticed they were anticipating this
answer as well. “I will be,” he reported, wary as always. “I
have yet to decide which, though. This showing was rather
unforeseen—on my part, at least.” He threw a dirty look Ray’s
way.
Jane nodded. “Well,
as soon as that information is released, know that I’ll be
purchasing one.” Following this sentence, during which her head
continued nodding, she grinned, and Max couldn’t help but thinking
of her as being as fake as the plastic of which bobble-head dolls are
made.
He thanked her. “I
always appreciate it when someone loves my work as much as you do,”
he lied. “I wish not to be short, but I was just leaving.”
“Oh, yes, of course.
I’m sure a man such as yourself is always very busy!” She
grinned again, they said their goodbyes, and Max rushed out the door
before anyone else could speak to him.
It wasn’t long
before Max reached his (geographical) goal, a classic filthy,
atramentous ‘n’ seedy bar in his own neighborhood that he had
been frequenting for the past few months. Being one of the regulars,
now, no words were exchanged between he and the bartender, as the
woman handed him his usual PBR. After wiping the counter, she
finally spoke to him—his beer was halfway gone at this point.
“So,” she began.
“You’re late tonight. And downing your booze faster than usual,
I see.”
He checked his watch:
nine-thirty p.m. “So I am.” He laughed. “I had to go to some
stupid art show.”
She gazed at him
curiously. “Isn’t that the one you’re featured in, tonight?”
He nodded and continued to sip his drink. “And you thought it was
stupid?”
“Yep. I’d enjoy
them, Gina; I really would, if the people weren’t all so
pretentious and fake. I mean,” he released a halting chuckle.
“I’m pretentious enough on my own. I don’t need to be around
those people.”
Gina nodded. “Well,
pretentious is one way to say it, I guess. I won’t divulge my own
thoughts on you, at least not tonight.” She winked and sauntered
away to take care of a group of tourists that had just wondered into
the bar.
Two beers later, Max
had deemed himself inebriated enough to find a suitable replacement
for Lucy.
An hour, two beers and
five slaps across the face after that, he concluded that his judgment
was incorrect and made his way back to his apartment (which, luckily,
was just across the street).
Upon arriving, he
sighted the form of a young man, with looks distinctly similar to
Max’s, sleeping against his door. Drunk, the older male stumbled
over and kicked him.
“Billy,” he
whispered. “Billy, wake up.”
“Max?” The boy,
Billy, stared bleary-eyed up at his brother. “Where the hell have
you been?”
“Drinkin’.”
“Well, yeah. Come on, where are your keys?”
Max retrieved his keys
from his pocket and, with the help of his brother, opened the door.
Billy, after setting him on the couch, scavenged through the
materials hidden throughout the kitchen section of the apartment.
Fifteen minutes later, he had managed to make coffee, which he gave
to Max and told him simply to “drink it. Now.”
“So, where’s Lucy,
anyway?”
It was past one a.m.
at this point, and a sobered Max and awakened Billy sat on an
ancient, well-worn (‘well-loved,’ in Max’s words) couch. Max,
sitting cross-legged in one corner, stared into the bottom of the
coffee mug that he now held with both hands.
“She…left me.”
Billy looked around
the apartment with a concerned look on his face, taking in the
obvious feminine touch that remained. “Then why keep her stuff
around here, still?”
Max silently refused
to answer this question, taking a moment before speaking again. “Why
are you here, anyway?”
Billy stared at his
brother defiantly. “Mom and Dad kicked me out. Answer me. Why do
you keep Lucy’s stuff?”
“What? But
you’re only sixteen!”
Billy’s mood made a
quick transition into disgust. “I’m only eight years younger
than you, man, and that’s not much, so don’t be so
condescending,” he threatened. “You’ve told me in the past
that I’m ‘wise beyond my years’ or something, so don’t be
like that.
“Anyway,
they decided that I was too belligerent or something. I didn’t
actually listen to them, but I think it had a lot to do with my not
wanting to be a doctor, or one of those other jobs that would make a
rich man out of me.” He continued to stare at Max, gauging his
reaction. “I think they want me to follow the path you didn’t
take. And then they said I took their ‘gifts’ for granted, and
told me to try living on my own for a bit. So I said I would.”
Max scoffed. “And
then you come to live with me.”
“Uh-huh.” Billy’s
voice took a disinterested tone here. “Max, you’ve got to get
rid of her stuff, it’s extremely disturbing.”
Max’s voice cracked
as he spoke. “But…I love her.”
Billy, who had his
legs resting on the makeshift coffee table of milk crates all this
time, suddenly sat up straight. “Why did she leave, man?”
“Because I was
depressed and cynical.”
“That’s mighty
low.” Billy rose, seemingly to examine the canvas that had been
perched on its easel for three months straight. “Man, this
canvas is dusty. You’re in a funk, aren’t you?”
“If you want to put
it that way.” Max followed him and picked up the eraser he had
thrown earlier that night, and then pulled a pack of cigarettes from
a nearby shelf. Billy, mouth agape, watched his brother light it and
begin smoking. “You smoke now?”
“Billy-boy, I see
you haven’t left the rhetorical questions behind.”
“But don’t you
know that Mom would kill you?”
“I know.” Max
smiled grimly. “Want one?”
Smirking, Billy pulled
out his own pack and lighter. “No, I’m actually fine on my own,
thank you very much.”
Max laughed honestly
for the first time in months and sat back down, indicating that Billy
should follow suit. “Belligerent, eh?” He stared at a ceiling
tile and nodded. “Sounds about right.”
“You need to do
something to fix this, man.” Billy studied his brother’s face.
“The whole Lucy thing. You need to leave it behind.”
“Myself, I prefer
the word ‘cantankerous’ to ‘belligerent.’ But our dear
mother does love her ‘How to Raise Your Teenaged Son’ books and
I’ve looked through them myself, and never once have I seen
‘cantankerous.’ But I’ve seen plenty of ‘belligerent,’ so
I’m not surprised that she would use ‘belligerent.’” Max let
his head roll on his neck, turning it to face his brother. “Now,
what are you blathering about? ‘Lucy?’ I’m afraid I don’t
know anyone named ‘Lucy.’” He paused to give a short cough.
“See? I’m over her.”
Billy snorted. “Do
you remember when you were sixteen and I was eight, and Grandma
died?”
“Of course I
remember that!”
“Yeah. I would hope
so. Otherwise, you have way more issues than I thought you
did.” Billy paused to take a drag on his cigarette. “I remember
how angry you were. And you went on some crazy rampage and got rid
of everything that reminded you of Grandma. Well, you loved
Grandma, didn’t you?”
Max scowled. “I
know what you are trying to convey, and let me assure you, it is not
the same situation.”
“Oh? And why not?
Enlighten me, my great brother.”
“Well…for one…Mom
saved all that stuff.”
“Duh, because it was
Grandma. But man, you’re borderline stalker like this. When did
Lucy leave?”
“Once again, who
is Lucy?” With Billy glaring at him, Max surrendered. “Okay,
you’re right. Three months is long enough to grieve over an ex,
especially one who left for reasons like that. But that doesn’t
mean it’s easy. I can’t just get up and say ‘okay, I’m
going to be over her now’ and let that be the end of it.”
Billy burst into a fit
of laughter, an out-of-character action for one with such ambiguous
showings of emotion. Calming down, he miraculously managed to
articulate his restless thoughts. “First of all—three months? God, Max, I’m about ready to throw out all this stuff for
you.” He chuckled a little, and then added, “Also, I’m betting
you tried to hit on some girls tonight, am I right?” He paused
long enough to see Max blush. “Yeah, I am. Now, Max, if you
somehow managed to bring a girl back here—and believe me, I’ve
seen you drunk, so it would be a miracle for you to do that—do
you really think she’ll stay if she sees all this stuff lying
around?” Another pause. “And, don’t worry, this is my last
point, do you realize that you’re depressed about being depressed?
Indirectly, of course, but all the same,” he trailed off.
Max smiled to himself,
but made no other motion. “Yeah, I suppose it is pretty dumb.”
He
did not continue, and Billy, after giving him a sufficient amount of
time to do so, spoke again. “Listen, I'm going to say this, and
then I'll back off. I know how much you hate those artsy schmucks,
but if you're going to be all ‘oh, woe is me,’ about that, then
please get over Lucy.”
Max
gave no indication that he had paid attention to Billy's words,
focusing only on the bare wall opposite the couch. Then, pulling out
his lighter again, he flicked the igniter. Observing the flame, one
could spot a mischievous glint in his eye—though whether it was
from his coming plan or the reflection of the flame was unclear. “I
have an idea.”
So that was why, at
three a.m., the Garrison brothers broke into a little-known Manhattan
art gallery to ‘liberate’ a simple painting (“Lovely Lucille,”
as Max had named it in a particularly amorous moment), leaving a note
for the owner of the building, apologizing and promising to pay back
the costs of any damages done, with the money that neither had.
Along the way, they
acquired a plain metal trash receptacle, and some newspaper, just in
case canvas was not as flammable as they predicted.
It turned out it was,
along with a pink knitted blanket, an empty cardboard heart-shaped
box, wilted flowers, two pairs of shoes that Lucy had left for no
reason, five pairs that she forced Max into buying, two or three
sketches of a sleeping Lucy, three extremely uncomfortable shirts
that had just “looked so nice!” on Max, a few boxes of powdered
whey protein, five floppy disks and eight CD-ROMs with photos saved
on them, four or five romantic comedies on DVD (“Why did you put up
with this stuff?” Billy asked at this point), and a strange pen
with a giant pink puffball on top.
And, of course, a soft
white eraser.